“I kept asking [the organizers of the cleanup at Second and Indiana], ‘Where, where is the place that is going to take these individuals?’”
Everyone from Dr. Oz to the BBC has now done a piece on the heroin camp in Kensington. Some of the pieces have been good, others are simply poverty and addiction porn. All of them have come from outside the community most impacted by both the existence of the camp and its cleanup. To get beyond one-shot sensationalism, what we need now is coverage that centers the voices of people like Jessie Alejandro-Cruz and Charito Morales — who have been grappling with not only the implications but the actuality of this for decades.
Latino/a writers discuss issues in writing and publishing genre fiction (mystery, science fiction, and horror) and celebrate a new collection of science fiction and fantasy stories.
The New York Society Library
53 East 79th Street
New York, NY 10075
Sun, September 17, 2017
3:00 PM – 5:00 PM EDT
Latin@ Rising: An Anthology of Latin@ Science Fiction and Fantasy is the first anthology of fantastic fiction written by Latino/as living in the United States. Fifty years ago the Latin American boom in literature popularized magical realism; Latin@ Rising is the literature that has risen from the explosion that gave us García Márquez, Jorge Amado, Carlos Fuentes, and others. The 23 authors and artists included in this anthology come from all over the U.S. and from eight different national traditions. They include well-known creators like Kathleen Alcalá, Ana Castillo, Junot Díaz, Giannina Braschi, and others; they also include new voices, well worth hearing.
Panelists Matthew David Goodwin (editor and moderator) is an assistant professor of English at the University of Puerto Rico in Cayey, focusing on the topic of migration in Latino/a literature, particularly science fiction, fantasy, and digital culture.
Carlos Hernandez is the author of The Assimilated Cuban’s Guide to Quantum Santeria (Rosarium 2016) and over 30 works of science fiction and fantasy, including poetry and drama. By day, he is an CUNY associate professor of English and has worked in game writing and game design.
Richie Narvaez is the award-winning author of Roachkiller and Other Stories. His fiction has appeared in Grand Central Noir, Plots with Guns, Sunshine Noir, and Spinetingler.
Sabrina Vourvoulias is the author of Ink (Crossed Genres, 2012), a novel that draws on her memories of Guatemala’s armed internal conflict and of the Latinx experience in the United States. It was named one of Latinidad’s Best Books of 2012.
This event is free and open to the public. Please register by emailing email@example.com or calling 212.288.6900, ext. 230.
I’m headed to Readercon 28 next week and I just got my schedule.
Wednesday, July 12
Reading, etc. 7 p.m. – 9 p.m.
With Max Gladstone and Yoon Ha Lee at Pandemonium Books and Games in Cambridge, MA (4 Pleasant St.). This event is free and open to public. Click here to get more info.
Friday, July 14
Our Dystopia – 1 p.m.
Since the election, many on the left have been calling attention to George Orwell’s 1984 as a missed warning. Guest of Honor Nnedi Okorafor said in a radio interview that she believes Octavia Butler’s The Parable of the Sower is a more appropriate dystopia for our current climate. Orwell’s Animal Farm, Margaret Atwood’s The Handmaid’s Tale, and other books have also warned of surreal authoritarianism. Do they map to our current world or are we projecting? What other books have warnings for us that we might heed?
I’ll be reading my short story “Sin Embargo” which was published in the anthology Latin@ Rising in early 2017.
“In ‘Sin Embargo,’ Sabrina Vourvoulias plays with translation and transformation in interesting ways.” — Publishers Weekly
Come hear me play with language(s), live and loud … 😜
Saturday, July 15
The Long Tail of the Tall Tale – 1 p.m.
Tall tales, like their fairy tale cousins, are reinvented in every culture around the world. These tales, handed down through generations, provide context for how humans relate to one another and to storytelling, as well as giving an intriguing look into cultural history. Panelists will discuss the ways tall tales and oral storytelling traditions have influenced the work of present-day speculative authors such as Andy Duncan, Andrea Hairston, Catherynne M. Valente, and Daniel José Older, and explore what helps a tall tale hit the sweet spot of both exaggerated and believable.
SF writers have often written deeply political books and stories; some stand the test of time, while others become dated very quickly. John Brunner’s Stand on Zanzibar, Octavia Butler’s Kindred, Joanna Russ’s The Female Man, and Ursula K. Le Guin’s “The New Atlantis,” to name just a few, directly addressed major issues of their day and are still relevant now—but differently. What affects how political SF ages and is read decades after its publication? What are today’s explicitly political books, and how do we expect them to resonate decades in the future?
There is a registration fee for Readercon weekend, except for Thursday programs which are free. There are day passes are available ($55 each for Friday and Saturday programs, $25 for Sunday programs). The schedule of programs is pretty spectacular, even on Sunday. The full schedule (except for individual readings) is here.
It looks at the deportation stories of two men: Mout Iv, who was deported to Cambodia, and César, who was deported to Mexico, after a lifetime in the United States. It also looks at the changing definition of criminal deportations over the years…
I will be on three panels at the upcoming Arisia convention (Jan. 13-16 at the Boston Westin Waterfront Hotel), all of them on Saturday, Jan. 14:
Hold the Door: Game of Thrones Season 6 and More
Media, Panel – 1hr 15min – Douglas (3W)
Game of Thrones continues to move the plot well past the novels, and continues to introduce and kill characters in ways that are surprising and occasionally heartbreaking. We’ll discuss the ever-complicated handling of the show’s core female characters (and the pivot in handling most of them compared to Season 5), the rushed Dorn plotline, the deaths of characters we’ve loved and hated from day one, and more.
Authors create memorable works from personal trauma, but the political is also personal. N. K. Jemisin has been quoted as saying that her series The Broken Earth stems from her own processing of systematic racism in America through the lens of the Black Lives Matter movement. We’ll discuss The Broken Earth and other works that come forth when societal trauma enters the author’s sphere and how awful truth inspires fiction.
The recently released Latin@ Rising anthology has raised the profile of stories from Latinx authors writing in English. We’ll talk about the anthology and other works, new and old, of SFF from Latinx authors. What perspectives and themes are important to these stories and their authors, and how do they explore the speculative world?