Lots of Latinx writers, lots of events! I’ll be at the Sunday and Tuesday events – come join us!
Lots of Latinx writers, lots of events! I’ll be at the Sunday and Tuesday events – come join us!
Latino/a writers discuss issues in writing and publishing genre fiction (mystery, science fiction, and horror) and celebrate a new collection of science fiction and fantasy stories.
Latin@ Rising: An Anthology of Latin@ Science Fiction and Fantasy is the first anthology of fantastic fiction written by Latino/as living in the United States. Fifty years ago the Latin American boom in literature popularized magical realism; Latin@ Rising is the literature that has risen from the explosion that gave us García Márquez, Jorge Amado, Carlos Fuentes, and others. The 23 authors and artists included in this anthology come from all over the U.S. and from eight different national traditions. They include well-known creators like Kathleen Alcalá, Ana Castillo, Junot Díaz, Giannina Braschi, and others; they also include new voices, well worth hearing.
Matthew David Goodwin (editor and moderator) is an assistant professor of English at the University of Puerto Rico in Cayey, focusing on the topic of migration in Latino/a literature, particularly science fiction, fantasy, and digital culture.
Carlos Hernandez is the author of The Assimilated Cuban’s Guide to Quantum Santeria (Rosarium 2016) and over 30 works of science fiction and fantasy, including poetry and drama. By day, he is an CUNY associate professor of English and has worked in game writing and game design.
Richie Narvaez is the award-winning author of Roachkiller and Other Stories. His fiction has appeared in Grand Central Noir, Plots with Guns, Sunshine Noir, and Spinetingler.
Sabrina Vourvoulias is the author of Ink (Crossed Genres, 2012), a novel that draws on her memories of Guatemala’s armed internal conflict and of the Latinx experience in the United States. It was named one of Latinidad’s Best Books of 2012.
This event is free and open to the public. Please register by emailing email@example.com or calling 212.288.6900, ext. 230.
I’m headed to Readercon 28 next week and I just got my schedule.
Since the election, many on the left have been calling attention to George Orwell’s 1984 as a missed warning. Guest of Honor Nnedi Okorafor said in a radio interview that she believes Octavia Butler’s The Parable of the Sower is a more appropriate dystopia for our current climate. Orwell’s Animal Farm, Margaret Atwood’s The Handmaid’s Tale, and other books have also warned of surreal authoritarianism. Do they map to our current world or are we projecting? What other books have warnings for us that we might heed?
I’ll be reading my short story “Sin Embargo” which was published in the anthology Latin@ Rising in early 2017.
“In ‘Sin Embargo,’ Sabrina Vourvoulias plays with translation and transformation in interesting ways.” — Publishers Weekly
Come hear me play with language(s), live and loud … 😜
Tall tales, like their fairy tale cousins, are reinvented in every culture around the world. These tales, handed down through generations, provide context for how humans relate to one another and to storytelling, as well as giving an intriguing look into cultural history. Panelists will discuss the ways tall tales and oral storytelling traditions have influenced the work of present-day speculative authors such as Andy Duncan, Andrea Hairston, Catherynne M. Valente, and Daniel José Older, and explore what helps a tall tale hit the sweet spot of both exaggerated and believable.
SF writers have often written deeply political books and stories; some stand the test of time, while others become dated very quickly. John Brunner’s Stand on Zanzibar, Octavia Butler’s Kindred, Joanna Russ’s The Female Man, and Ursula K. Le Guin’s “The New Atlantis,” to name just a few, directly addressed major issues of their day and are still relevant now—but differently. What affects how political SF ages and is read decades after its publication? What are today’s explicitly political books, and how do we expect them to resonate decades in the future?
There is a registration fee for Readercon weekend, except for Thursday programs which are free. There are day passes are available ($55 each for Friday and Saturday programs, $25 for Sunday programs). The schedule of programs is pretty spectacular, even on Sunday. The full schedule (except for individual readings) is here.
Hope to see you in Cambridge or Quincy!
Join us for a Pre-Readercon author event with Max Gladstone, Yoon Ha Lee, and Sabrina Vourvoulias.
Events at Readercon start on Thursday, but that doesn’t mean you can’t start celebrating early.
Event is free and open to the public.
More info here.
Great doesn’t need to mean old, writes Tiffany Kelly at Popular Mechanics. And (😮 ) my 2012 novel “Ink” opens her list!
“This is an eerily relevant dystopian novel that is a must-read…”
Read the article here.
I will be on three panels at the upcoming Arisia convention (Jan. 13-16 at the Boston Westin Waterfront Hotel), all of them on Saturday, Jan. 14:
Game of Thrones continues to move the plot well past the novels, and continues to introduce and kill characters in ways that are surprising and occasionally heartbreaking. We’ll discuss the ever-complicated handling of the show’s core female characters (and the pivot in handling most of them compared to Season 5), the rushed Dorn plotline, the deaths of characters we’ve loved and hated from day one, and more.
Authors create memorable works from personal trauma, but the political is also personal. N. K. Jemisin has been quoted as saying that her series The Broken Earth stems from her own processing of systematic racism in America through the lens of the Black Lives Matter movement. We’ll discuss The Broken Earth and other works that come forth when societal trauma enters the author’s sphere and how awful truth inspires fiction.
The recently released Latin@ Rising anthology has raised the profile of stories from Latinx authors writing in English. We’ll talk about the anthology and other works, new and old, of SFF from Latinx authors. What perspectives and themes are important to these stories and their authors, and how do they explore the speculative world?
So this is the time of year many SFF writers compose posts outlining what short stories (etc.) are eligible for nomination for awards. While more prolific writers than me usually have a long list for you to choose from, most years I only have two or three pieces you might consider. This year it is only one:
El Cantar of Rising Sun, which was published in Uncanny Magazine, issue 11, July/August 2016.
It is an unusual piece —a riff on epic narrative poems that follow the protagonist’s trajectory from birth to death with countless journeys and battles between … Only this epic takes place on Philly streets in 2014, and at its heart is a very distinct set of journeys and battles.
A fast-moving, dizzying, tragic tale with magic tattoos, rhymes, love, friendship, and death. The language is powerfully alive, swaggering and moving to its own rhythm and its own beat. Original and skillfully crafted.
— from Maria Haskins’ monthly short fiction round-up.
The NY Review of SF Readings
presents our first
Margot Adler Memorial Reading
Terence Taylor (guest curator)
Tuesday, Nov. 1st
Doors open at 6:30 — event begins at 7
The Brooklyn Commons Cafe
388 Atlantic Avenue (between Hoyt & Bond St.)
November 1st is All Soul’s Day, and an appropriate date to conjure up the first of a pop-up sub-series within the NYRSF Readings: the Margot Adler Memorial Readings.
Before her passing two years ago, Margot had been a speaker and guest host at a number of our readings, particularly if they involved one of her more recently acquired passions, vampire stories. Her interests ranged far and wide, and any of these diverse interests will be the subject(s) of these readings. They might be journalism (she was a producer/host for Pacifica Radio and NPR), Wicca (she was author of Drawing Down the Moon, a book which introduced hundreds of thousands of Americans to neo-Paganism), psychology (she was granddaughter of the eminent psychotherapist Alfred Adler), vampires (she was author of Vampires Are Us: Understanding Our Love Affair with the Immortal Dark Side), or anything sf/f (she was a Clarion graduate).
For the inaugural edition of the sub-series, we’re most happy to present two other friends of the NYRSF Readings, a journalist/spec fic writer, and a producer/vampire and spec-fic writer.
Sabrina Vourvoulias is the author of Ink (Crossed Genres, 2012), a novel that draws on her memories of Guatemala’s armed internal conflict, and of the Latinx experience in the United States. Her stories have appeared at Uncanny magazine, Tor.com, Strange Horizons, Crossed Genres, and in a number of anthologies, including Latino/a Rising, upcoming in 2017. She is an op-ed columnist at Philadelphia Magazine, City and State PA and The Guardian U.S., and is the Project Editor for the Philadelphia Reporting Collaborative on Prison Reentry. Find Sabrina on the Web at sabrinavourvoulias.com or on Twitter @followthelede.
Terence Taylor is an award-winning children’s television writer whose work has appeared on PBS, Nickelodeon, and Disney, among many other markets. After years of comforting tiny tots with TV, he turned to scaring their parents. Terence is also author of the first two books of his Vampire Testaments trilogy, Bite Marks (St. Martin’s Griffin, 2009), and Blood Pressure (St. Martin’s Griffin, 2010) and has returned to work on the conclusion of his trilogy, Past Life.
Find Terence on the Web at terencetaylor.com, Twitter @vamptestaments, or walking his neighbor’s black Labrador mix along the banks of the Gowanus Canal and surrounding environs.
The New York Review of Science Fiction Reading Series provides performances from some of the best writers in science fiction, fantasy, speculative fiction, etc. The series usually takes place the first Tuesday of every month, but maintains flexibility in time and space, so be sure to stay in touch through the mailing list, the Web, and Facebook.
The Cafe has excellent food, a coffee bar, beer and wine. The Jenna freebie table will offer books and goodies, as will the raffle for any who donate.
After the event, please join us as we treat our readers for dinner and drinks at the cafe.
Jim Freund is Producer and Executive Curator of The New York Review of Science Fiction Readings. He has been involved in producing radio programs of and about literary sf/f since 1967. His long-running live radio program, Hour of the Wolf, broadcasts and streams (most) every Wednesday night/Thursday morning from 1:30-3:00 AM. Programs are available by stream for two months after broadcast. An audiobook collection of 15 hours of his interviews, Chatting Science Fiction, is now available for download at iTunes and Audible.com, as well as a 13-CD set from Amazon.com and Downpour.com. In addition, Jim is Podcast Host and Post-Production Editor for the twice-consecutive Hugo Award-winning Lightspeed Magazine.
The Brooklyn Commons Cafe at 388 Atlantic Avenue is an open and collaborative movement building space, only minutes away from the Hoyt-Schermerhorn and Atlantic Avenue subway stops in downtown Brooklyn. The Commons provides resources to the progressive community including affordable office and meeting spaces as well as an event venue that can host anything from parties and benefits to forums, performances, films and workshops. If you are interested in meeting or event space, please contact them at firstname.lastname@example.org.